'We Were the Pioneers of Punk': The Women Reshaping Local Music Scenes Across the UK.
Upon being questioned about the most punk thing she's ever done, Cathy Loughead doesn't hesitate: “I played a show with my neck fractured in two spots. Unable to bounce, so I bedazzled the brace instead. That show was incredible.”
Loughead belongs to a growing wave of women transforming punk expression. As a upcoming television drama highlighting female punk airs this Sunday, it reflects a movement already thriving well past the TV.
The Spark in Leicester
This energy is felt most strongly in Leicester, where a 2022 project – currently known as the Riotous Collective – lit the fuse. Cathy participated from the beginning.
“At the launch, there existed zero all-women garage punk bands here. Within a year, there seven emerged. Currently, twenty exist – and increasing,” she stated. “There are Riotous groups around the United Kingdom and internationally, from Finland to Australia, recording, gigging, appearing at festivals.”
This boom extends beyond Leicester. Across the UK, women are reclaiming punk – and changing the landscape of live music in the process.
Rejuvenating Performance Spaces
“There are music venues throughout Britain thriving thanks to women punk bands,” she added. “So are rehearsal studios, music teaching and coaching, production spaces. The reason is women are occupying these positions now.”
Additionally, they are altering the audience composition. “Women-led bands are gigging regularly. They're bringing in wider audience variety – attendees who consider these spaces as safe, as intended for them,” she continued.
An Uprising-Inspired Wave
Carol Reid, from a music youth organization, commented that the surge was predictable. “Ladies have been given a dream of equality. But gender-based violence is at crisis proportions, radical factions are using women to promote bigotry, and we're deceived over topics such as menopause. Females are pushing back – via music.”
A music venue advocate, from the Music Venue Trust, observes the trend transforming community music environments. “There is a noticeable increase in broader punk communities and they're feeding into regional music systems, with grassroots venues scheduling diverse lineups and building safer, more inviting environments.”
Entering the Mainstream
Soon, Leicester will host the inaugural Riot Fest, a three-day event showcasing 25 female-only groups from the UK and Europe. In September, an inclusive event in London honored ethnic minority punk musicians.
And the scene is edging into the mainstream. One prominent duo are on their maiden headline tour. A fresh act's initial release, Who Let the Dogs Out, hit No. 16 in the UK charts this year.
Panic Shack were in the running for the 2025 Welsh Music Prize. Another act secured a regional music award in recently. A band from Hull Wench appeared at a major event at Reading Festival.
It's a movement born partly in protest. Within a sector still plagued by sexism – where all-women acts remain less visible and live venues are facing widespread closures – female punk bands are establishing something bold: opportunity.
Timeless Punk
In her late seventies, a band member is evidence that punk has no expiration date. Based in Oxford washboard player in a punk group picked up her instrument just a year ago.
“At my age, there are no limits and I can pursue my interests,” she said. One of her recent songs includes the chorus: “So scream, ‘Forget it’/ Now is my chance!/ I own the stage!/ At seventy-nine / And in my top form.”
“I adore this wave of older female punks,” she remarked. “I wasn't allowed to protest when I was younger, so I'm making up for it now. It's fantastic.”
Another musician from her group also mentioned she was prevented to rebel as a teenager. “It has been significant to finally express myself at this late stage.”
A performer, who has toured globally with different acts, also views it as therapeutic. “It's about exorcising frustration: being invisible in motherhood, at an advanced age.”
The Freedom of Expression
That same frustration motivated Dina Gajjar to form Burnt Sugar. “Performing live is a liberation you were unaware you lacked. Females are instructed to be obedient. Punk defies this. It's raucous, it's imperfect. As a result, when bad things happen, I say to myself: ‘I should create music from that!’”
But Abi Masih, a percussionist, said the punk woman is any woman: “We are simply regular, career-oriented, amazing ladies who love breaking molds,” she said.
Maura Bite, of her group the band, concurred. “Women were the original punks. We had to smash things up to get noticed. We still do! That badassery is part of us – it feels ancient, primal. We are incredible!” she stated.
Defying Stereotypes
Not all groups conform to expectations. Two musicians, involved in a band, strive to be unpredictable.
“We rarely mention certain subjects or curse frequently,” said Ames. O'Malley cut in: “However, we feature a small rebellious part in every song.” Julie chuckled: “That's true. Yet, we aim for diversity. The latest piece was about how uncomfortable bras are.”